Wednesday, November 30, 2005

Tea House

Some houses retain a transcript of the souls that had passed beneath their roofs, holding the lives of the people they had sheltered. This home had passed from a wealthy railroad family, to a city developer, then turned into a hotel, a flophouse, then several years abandoned until George bought it for a dime, fixed it up, turned it into a tea shop, returned now to a glimmer of its earlier grandeur. The clink of teacups on saucers has replaced the clink of chains as ghosts passed down the upstairs hall, listlessly searching for a lost loved one, a light in these gray hallways, a warmth in the master bedroom as though from a fire roaring in a fireplace.

George waves me over to the fire. Sit down. Have a cup of Earl Gray White Tip and a scone. Tell me why you’re still here. I thought you would be moving along to New York months ago. Been writing? Or still chasing girls around main street? You know you’re gonna get in trouble one of these days, fall in love, have a house, a family, and then you might as well say goodbye to that typewriter. The rest of your story has been told once the cry of a baby breaks the silence of your home. Then there’s a whole new dream. And it’s a good one, filled with love and pride and that all-powerful word “family”. But it’s not writing now; let’s not fool ourselves. You and me, we’re different types. We like the solitary book on a November evening. We like the rhythm of prose in the morning over a cup of tea and a quiet song playing in the other room. Each day passed alone until a friend stops by to say hello. Now, have another cup. Forget about everything that has passed these past couple of months. You’re home now.

Sunday, November 27, 2005

JM Barrie

Today I finished reading the biography “JM Barrie and the Lost Boys,” by Andrew Birkin. I think I’ve been reading it for about a year. It’s been an important and comforting book for me, one which I almost didn’t want to finish, and now that I have, perhaps can attributed to my melancholy mood all day.

But what has it meant? Why have I connected with it?

Number one, I loved reading Peter Pan, and am in awe of its endurance as a story, its tradition, and the effect it has had on children over the years. Its theme is a powerful one in my life. I too feel like a child that either won’t grow up, or can’t grow up. I seek throughout my ordinary existence ways in which to escape to a magical world like Neverland. So naturally I was entranced with the man that created all of this.

I find in Barrie a similar soul, a man subject to dark moods but whose life is so quickly brightened in the presence of a child. Watching them play; “They’re so innocent, it almost hurts” (p253). There is a magic within a child’s mind, which we are much the poorer for having lost in adulthood. It is my struggle in life to regain a little of that spark. We need not grow up, if we don’t want to. But we are also sacrificing so very much if we choose to remain a child. Marriage, children of our own, and family are all lost. I tried marriage. So did Barrie. Neither of us had much success at it.

Although I’m drawing many parallels between Barrie and me, I don’t mean to say I enjoyed Birkin’s book because of these perceived parallels. I know I am no Barrie. I think I enjoyed it most because I felt like one of Barrie’s lost boys, and when I opened the book I was one of the lucky children that gathered around him and Porthos in Kensington Garden. It was less the spell of Peter Pan than that of “Uncle Jim”, cast decades later on a man who still feels like, and wants to remain, the child.

So many dog-eared pages, I can jot down only a sampling of them here:
On the nature of children: “Unlike Ingley, Carroll and Wordsworth, Barrie rarely perceived children as trailing clouds of glory; he saw them as ‘gay and innocent and heartless’ creatures, inspired as much by the devil as by God. He exulted in their contradictions: their wayward appetites, their lack of morals, their conceit, their ingratitude, their cruelty, juxtaposed with gaiety, warmth, tenderness, and the sudden floods of emotion that come without warning and are as soon forgotten,” (p19).

On the actor Gerald du Maurier’s creation of Captain Hook, “Gerald was Hook; he was no dummy dressed from Simmons’ in a Clarkson wig, ranting and roaring about the stage, a grotesque figure whom the modern child finds a little comic. He was a tragic and rather ghastly creation who knew no peace, and whose soul was in torment; a dark shadow; a sinister dream; a bogey of fear who lives perpetually in the grey recesses of every small boy’s mind. All boys had their Hooks, as Barrie knew; he was the phantom who came by night and stole his way into their murky dream….And, because he had imagination and a spark of genius, Gerald made him alive,” (p110).

Two pictures of Barrie will remain with me; one, the melancholy older man who has felt “his boys” slip away from him in death or adulthood, the “Hermit of Adelphi, roosting high in his eyrie above the Thames” (p298). The other; of the magician of Kensington Gardens, creating along with five boys an inspired adventure, a fairytale bursting so suddenly into the world, like a cannon shot from the Jolly Roger.

Saturday, November 26, 2005

Readers Creepers


Northern fern photo by Ingus.

He saw her come out of the coffee shop, carrying a paper cup of coffee with a little cardboard insulator like a tube top. Her books always had characters drinking tea. Looked like she lied, but isn't that what novelists do? Just because her characters drink tea, did that mean she had to drink tea? Just because her characters engaged in clandestine affairs, did she? Maybe. He quickened his pace to catch up to her.

"Nicole? Nicole Lanser?”

She slowed her pace, looked sideways at him suspiciously. "Yes?"

"I'm reading your latest book. I thought I recognized you from the picture on the back."

"There wasn't a picture on that one."

"Oh yeah, that's right. I know where I recognized you from. It was that article in the Star Tribune about you."

"Oh yes. I liked that picture. There's not many pictures of me that I like, but the photographer on that day caught one of the few." She took a sip of coffee. "Can I help you with something?"

"Oh no," he said. "I just wanted to say hi. And that I like your book. There's some parts I'd like to talk with you about, though. Could I maybe buy you a cup of coffee or something?"

She stopped walking, smirked and held up her paper cup. "I kind of already have one."

"Oh yeah, of course. Well maybe we could--"

"I'm sorry, but I was really headed home." She winced, realizing her mistake.

"Maybe I could walk you home! You live around here? I mean, I know the article said you lived in South Minneapolis, but I didn't know we lived so close to each other."

"I'm not really comfortable with--"

"I knew Owen," he said, and started walking.

She followed to catch up. "Pardon?"

"I traveled around with Owen in '95. Just after you broke up."

"But nobody knew we were going out."

"I did." His brow furrowed, eyes staring hard into the sidewalk as he walked slowly ahead.

"How is he? Does he still write? I've been trying to find him on the internet, but..."

"I don't know how he is." His dark eyes suddenly brightened, and a big fake smile spread on his face. "But I didn't come here to talk about Owen. Got any tea in the house?"

Nicole noticed he turned at the correct corner towards her house. "Coffee?"

"I thought so." He walked to her house, Nicole in tow.


Nicole's living room was decorated as vividly as her books. Dark red walls, a pressed-tin ceiling painted black. Fern bursting green in a bright bay window. Dark wood molding. Shelves of books tattered and worn, bought not for ambience but for reading, tearing into with a writer’s eyes, from which to learn, emulate, pilfer. She handed him a steaming cup of black Columbian. He took a sip, then understood why she went out for coffee.

"Where's your Underwood? I thought you wrote in front of the bay window on an Underwood, at an antique school desk"

"I actually write on a Mac upstairs. Fabrication for the reporter. Sounds a lot more romantic."

"Sells more books."

"Exactly."

"Owen was writing while we traveled. I did the driving most of the time. He wrote in a notepad. First it was love poems. There's nothing I hate more than unrequited love poems. Then we got into Mississippi, Tennessee, Louisiana. Drove mostly at night. Slept in the car in parking lots during the day."

“Why drive only at night?” she asked.

“Owen didn’t like traveling during the day. He wouldn’t say why. It was like he didn’t want to be recognized, like he was running away from something.”

“From me.”

“Probably.” He set the horrid cup of coffee on the end table and got up, browsed through the room, reading book titles, looking at artwork and photographs hanging on the walls, but really wondering what corner of the house he would find her bedroom.

“What are you laughing at?” she asked.

“Nothing,” he replied. He already knew where it was. Just like he knew what city to find her in, just like he new where she lived, just like he knew where she could find Owen, and it wouldn’t be on the internet.

Monday, November 21, 2005

Balanced Account


evening star
Originally uploaded by mihay.
He broke free of her. He landed a job at the bank, sank his teeth into dollar bills and general ledgers rather than into the flesh of her. But even though his days were spent behind the counter, greeting customers and punching keypads, his mind was tossing through bed sheets, chasing her limbs, trying to catch the heart of her, trying to find her face in the mounds of pillows. His days would end with locking the vault, nerves jumping at the utter finality of the click of the locks. Home was only a faint memory before morning, a hazy flash of television, of microwave food, and sleep in the reclining chair. The firm edifice of the bank building greeted him in the morning light, silhouetted by a giant smiling face of her hovering over the north end of town. She knew where he worked, where he ate, where his mother lived. Even in her absence she followed his every move, drew him into her. But in his asylum of the bank, he would be yanked back to the surface of things; “Good morning Mr. Tolefson. Another check today? Let me pull up your account.”

Friday, November 18, 2005

Pandora's Shed



Tom poured himself a cup of strong black coffee into a mug with the oversized handle for his thick fingers. He slipped his feet into flip flops, opened the sliding door of the deck, and took his first deep breath of morning air. At his cabin in northern Minnesota, the air was crisp and clean. He was located in a bend where the river widened out and the current slowed to a crawl. His girls were already leaping off the swimming dock into the water, then pulling themselves out on the stepladder, long hair streaming over their brown backs. Dodger, his six year old yellow lab, barked at them from the shore. The dog was afraid of the water, ever since he had been a puppy and had fallen off the boat.

Work flashed through Tom’s mind for a split second, an all-hands meeting to discuss the regional sales crisis in the Southwest, but work disappeared with the sound of a loon call out near Lawton’s Bay. “Girls, where’d your mother go?” he called out. But they were gone. Perhaps under the water, or hiding from him under the floating dock, giggling. He looked along the shoreline for his wife, but she wasn’t there. He would have felt completely abandoned, if it weren’t for Dodger, padding slowly along the shoreline, sniffing at the sand and river weeds for dead things.

“Dodger, where’d they all go?” The dog lifted his silver muzzle and turned to him, brown eyes returning the question.

The undisturbed slow curl of the river came around the bend and disappeared into the channel. He took another sip of coffee and pulled up a chair along the bank. He slipped off his flip flops and dug his toes into the sand. He scratched his thickly stubbled jaw and squinted to the far shore. The Emmersons waved as they loaded up their cruiser and turned on the motor. Low rumbled of their inboard, a small puff of blue smoke that would smell like oil. He waved back.

Tom was in his mid-forties, thick dark hair with a slight wave to it, graying around the sideburns. His forearms were thick but he rarely exercised or did manual labor, besides landscaping his yard back in Lakeville. Must have been genetics, he surmised, thanking his father. He wore long kaki colored shorts with large pockets that snapped closed, and an old green tee shirt, the print on the front peeling away, little holes in the short sleeves and frayed at the bottom.

Where did those girls go, he wondered, but knew it was unlikely that two girls would drown in the same moment. Just playing one of those tricks kids always like to play on adults. Kristen and Ashley, sixteen and thirteen. The older with long auburn hair, the younger as blond as her mother, curly hair bobbed short, a nose always sunburned and speckled with freckles.

His coffee had grown lukewarm. He couldn’t stand coffee any other temperature but scalding. He set the mug down in the sand and cross his legs, stretched in the warmth of the sun. Behind him his cabin sprawled, multiple levels climbing from the river-view up into the cover of the woods. He’d inherited the entire island, but this cabin was of his own making. Through the several paths worn by raccoons and the odd black bear, they could make their way to the original cottage on the other side of the island, a small but picturesque structure of mortared stones nestled on the highest point of the island. It’s rotting cedar shingled roof was smothered by towering pines. Brambles and wildberry pressed in upon it’s walls. This was just the way Tom and his wife Eileen wanted to keep it. They’d converted it into her yoga studio, where she could stretch her matt out upon the wide plank floorboards. A leaded window looked through a break in the trees to the channel.

This was the original cabin of his Uncle Will. Uncle Will had been one of those tireless workers, constantly shoveling and pruning and wheelbarrowing down in the gardens and fountains that stretched down to the water. He brought back from the city by boat the stone statues of monks and Greek maidens, fountains and benches, hummingbird feeders and bags of tulip bulbs. Now the garden ran rampant. Tadpoles hatched in the fountain, overrun with algae. It was a ghost garden from which his uncle watched him, stretched out idly on the beach, with disdain.

Fuck him, Tom cursed under his breath. His Uncle Will had always frightened him as a child, glowering at the kids running through his gardens. And there was that tool shed out back, filled with frightening things like pickled rattlesnakes and skeletons of raccoons, the plaster prints of bear claws, and the rusted blades of machetes and axes and saws. It stunk in there of oil and gasoline and sweat. It was Uncle Will’s bloody chamber, he supposed, where he would hide away from his wife, from the rest of the family, sitting on that worn wooden stool by the workbench, his back turned to the world behind him.

“Daddy, Kirsten bloodied her toe!” Ashley said, clambering out of the trees. There they were, Kirsten hobbling behind her. “It’s nothing Dad, I just stubbed it on a root,” Kirsten replied.

“Girls, haven’t I told you not to run through the woods in just your swimsuits? You need to be wearing shoes for that kind of thing.”

They had probably been up at Will’s shed again, he thought to himself. Why are girls always drawn to Pandora’s box, he wondered. Sometimes late at night, when he couldn’t sleep and found himself walking the trails through the woods at night, he would come around the crest of the hill and see, coming from under the gap at the bottom of the shed door, a pale light glowing, as though from a lantern. He’d considered tearing down the shed, but backed down under the loud objections from his wife and girls.

He heard another splash. The girls were gone again. He started up towards the woods and the path that would lead towards the cottage, where he hoped to find Eileen. He whistled, then heard the familiar jingle of Dodger's tags as he padded behind him.

Tuesday, November 15, 2005

Insonomatopoeia

Too tired for logic to operate, his mind grows stubborn, lethargic, and dull. He struggles to write and refuses to go to bed until something has emerged on the page. He asks for characters and instead gets the din of a faceless crowd. He lays up late at night in his high-rise, naked and pressed up against the floor to ceiling window like a vertical mattress, the city sprawled beneath him with pinpricks of light, tail lights curling around the bend in the highway like slowly draining blood. Insomnia clutches hold of his neck and shakes him awake, jars his brain, screams in his ear like a wicked banshee. But he soothes the witch, combs her hair, rubs her shoulders, trails his fingers along the curve of her humped back until her eyelids grow heavy, her gray straw hair fallen over her shriveled face, the empty cave of mouth, sunken cheeks, lips drawn in tight in a snore like a death rattle.

Saturday, November 12, 2005

Delpy and Gellie


© noqontrol "Lady of the Lake"

From his custodial job at the clinic, Delpy had stolen the files on Gellie. Though many of the test results remained untranslatable to a non-psychiatrist, others gave a general picture of the woman who had transfixed him with her stare.

He snuck the files into his apartment building, tucked in a bag and stuffed under his arm, as though the neighbors watched through binoculars, or surveillance systems observed him from unmarked vehicles in the street. Somebody is always watching, he knew. But do they know what they really see?

Once inside his home, he placed the files on the table scattered with photos of Gellie. Some were clipped from school yearbooks from when she was a child, others were from vacation photographs, family reunions, driver’s licenses, corporate ids. You could see it even then, he thought; if you peered closely enough into her eyes you could see a vacancy and a disillusionment that would eventually take hold.

Even amongst all of this investigative information sprawled at his feet and on the table, he knew little of who was and is Gellie. Gellie was different from who Gellie is. And she was and is different from who she will be. It didn’t matter from how many angles you viewed a subject, you could not really gain the perspective necessary to know somebody. It was like walking 360 degrees around a sculpture to try and discern what is in its middle. Is it only marble? Can you know for sure, without breaking it open?

Delpy was not a sociopath or a stalker or disgruntled ex. He was one who easily fell in love with women he didn’t know, became obsessed with ideas that fell seemingly from nowhere into his thoughts. He collected things; newspaper clippings, scraps of garbage, lint taken from dryers immediately after somebody left with their laundry; these he stored in Ziploc bags labeled with names he suspected might be their’s.

His favorite part of collecting things was to take the most ordinary and insignificant items into the isolation of his room so that he could concentrate and study them time and time again. Repetition led to illumination. Penetration beyond the ordinary. How many layers can we penetrate into the labyrinth, he wondered? It was like peeling back layers of an onion. Each brought a fresh bout of tears. The center emitted the strongest waves of repulsion, an assault on the eyes and the nose. Delpy slid off his chair to the floor. Hardwood planks, wood grain beneath fingertips, nail heads driven into creaky boards protruding ever so slightly. His fingernail picked at the nail heads as though they could be peeled away like scabs. He heard muffled voices below. A family of four, two children; one an infant that cried at night, the other a four year old that smiled at him on the stairwell. With his ear pressed up against the floor he could detect sounds from throughout the building, not just those from below. Toilets flushed, dishes clattered. The only voices clear enough to be heard were those of laughter or shouting. He heard even his own breathing, but he couldn’t tell if it was carried throughout the structure of the building or only from within his own body. He doubted his presence was substantial enough to be transmitted through the foundations of the building, like everybody else’s. That was okay; he didn’t want to be noticed.

He fell asleep on the floor and woke up with light coming through the window. He cursed himself for not sleeping in his bed; what kind of person sleeps on the floor? He heard this voice not like the faint sounds of his neighbors, but the loud declarative voice of his Grandmother. The voice of his Grandmother was heard in all of the complaints and criticism of who he has been and who he is, but never of who he will be. When he hears assurances of who he will be, it is in the voice of his mother who he had been too young to remember. A voice soft and blurry like photographs clipped from newspapers and handled too often. Who he will be is tied directly to Gellie, he believes, and it will resound with the heroism of ballads, the gallantry of epic poems, the sculptures unearthed from ruins with missing arms or legs but still celebrated for what remains. She needed to be rescued like the maiden locked in her tower, and in return she would free him like the prince transformed from the body of a frog. Only then would the voice of his Grandmother be locked away as though in a room in his building, and he would only hear her when he pressed his ear against the floorboards.

Thursday, November 10, 2005

Root Canal



Today I had a day off work because I had an abscessed tooth. I went to the dentist, showed them how if I tap the tooth next to my upper right incisor, that my body could dance around in the chair as though electrified. At least I will spend no more nights with my head compressed in a vise, my cheek throbbing, my fingers fumbling for anything inside my medicine chest to either kill the pain or quell the swelling or bring on unconsciousness.

The dental hygienists are all ex-strippers. Although their bodies have taken on that more comfortable softness of motherhood, they still assume a kind of flirtatious persona when I take the chair and they pull up beside me. Especially the one that leads me to the x-ray chair and nearly straddles me as she positions the square pieces of cardboard against my gums and aims the camera on the end of the adjustable metal arm. Today two other hygienists had gathered around and they talked about what they would order in for lunch; chicken strips or buffalo wings. One said wings just aren’t the same without the bone in it, and they giggled and flashed smiles at me and the other jibed that she “was such a boner,” and the other said “That’s Suzie for you, always likes a good bone.”

I wonder if blushing shows up on an x-ray?

I love the weight of the heavy apron they place on you to protect your lungs from the x-ray machine. I want to buy one and have it fitted to cover my entire body.

While they drilled and irrigated and rinsed, I stared up at the black shadows of dead flies in the overhead light, and switched from listening to Martha Stewart’s recipies for Fall to listening to classical music: life is best experienced with a soundtrack. It adds a sense of drama to the whine of the drill, and made me feel as though I was in “A Clockwork Orange”.

I’m all patched up but still sore, and a little tired from all the ibuprofen. I had hoped that the dentist would prescribe some Vicodin at the end of my appointment, like he gives suckers out to the children, but no such luck.

Sunday, November 06, 2005

Surgeon General's Warning

In looking back over my various entries here, I am left uneasy from discovering a pattern of madness and murder. Not because of any indication of my own propensities, but because a reader might make the mistake of believing that some of this is real. And so caution requires it be clearly stated: none of this is real. Apologies are made to everyone who resembles any characters in the preceding work, and regret is expressed for those characters that are so fabricated that they resemble no one. No characters have been injured in the making of this blog. Any resemblance to historical figures, either real or fabricated, is co-incidental. Any places or events, even if expressly named, are strictly a mutation of time and place in the mind of the blogger. If scenes of murder and madness disturb you, or are outlawed in your community, then please write your name and directions to your neighborhood on the back of my prescriptions. Views expressed by the subconscious in no way represent the opinions of the more socially and responsibilibidinous me. Surgeon Generals Warning: Blogging is an unnatural act and may cause blindness, nausea, dizziness, and urinary infection. If you suspect you are pregnant or that any other species is incubating within your body, then you are discouraged from ingesting the contents herein. Lastly, if any family members should read this blog, I in no way hold you responsible for this mess. It is purely of my own making.

Saturday, November 05, 2005

Snake in the Garden




Yeah, okay, so he’s a pretty funny guy. If it’s one thing I’ve observed through these proceedings, it has been that humor is most often used to gloss over the most terrible presentments, the most horrific events, or the general pain and fears and anxieties of the joker. Robertson is not a good guy, if you manage to look past the smile he wears for everybody else. Behind these witty comments and good natured behavior lies a man who connived his way to his position in life, somebody who takes a sadistic satisfaction in putting other people’s flaws under the microscope, and who leads a secret life behind his post as manager of a consulting firm, father of two, volunteer of the united way and golf buddy of a doctor, city council member, bank examiner, and plumber.

You might be wondering what exactly he does in his secret life. We’re all wondering about that, right? I am perhaps the most privy to his actions that occurred over the last seven years during the cracks in his daily routines, the moments when he could easily be unaccounted for in his more public life. He took advantage of overnight stays out of town for his job, of weeks spent in Vegas and Orlando for national conferences, of half-days off work for doctor appointments. Robertson enrolled his kids in several activities and then talked his wife into taking them, so that he would have hours of time unaccounted for.

Okay, so hard evidence is lacking, but there were clues. Suspicious receipts. Scratches on his hands. Out-of-state bank accounts. Your imagination is already whirring, as is mine. But in the end everyone will line up and say, “He was the last person in the world you would expect of something like this,” or “he was always there to help when you needed him.” Not me, though. I will be the first to say that I had suspected all along. Some people just leave you feeling that way. My Aunt always told me that every garden has its snake. One day he’ll slip up, and I’ll be there to catch him.