He tries to stay awake all night like he used to, but can’t resist turning on the tv and falling asleep to Jay Leno. What more can you expect from a corporate middle manager? He thinks about buying a tank of ether and a mask and resorting to artificial means of hearing voices. He wants to see hallucinations whipping about the room, imaginary children playing in the hedges, recently escaped from Our Sacred Heart of the Feeble Minded. He looks dejectedly at the sterile rooms of his apartment. What kind of atmosphere do you need to lure the muses? They need a welcome mat, a comfortable abode in which to spend their long weekends, a place that feels like a bed and breakfast for the beyond. He pictures himself small-talking with them in the late morning hours, sipping tea and nibbling on pastries. What would they talk about? Probably how bad the traffic was coming out of Olympus, or the humidity, or his hammer toe.
He wonders what a muse looks like: silvery white, like a sculpture of Michelangelo’s that has learned to flex its limbs? Jade eyes in a marble face? No, his muses had always been the dead idols...Rimbaud, Artaud, and Morrison. He felt closest to Artaud; they shared the same despair. Morrison was his college comrade, his drinking buddy, his idol of excess raising hell and dancing on ledges. Rimbaud was the brilliant prodigy, the cocky boy of sixteen that invented a new language, and then disappeared into the jungles of Africa never to be heard from again. And who has become his muses now? Steven Covey? Scott Adams? Who comes to mind first when he sees the name Homer?