Northern lights flash across the sky like dust blowing over a car windshield. This place is no desert, though. Here we got endless snow and ice cruel as any desert could be, and the people who live here are as cruel as our winters. What pleasures to we enjoy as we wait for it to end? Sit on a frozen lake in a plywood box, staring into a dark hole, waiting for something to bite?
Sullen’s fish house is something else though, about three times the size of your average fish house, strung up with Christmas lights like a carnival drawing us in from the dark. Me and my brother Jay go out there to thaw out. Drink some Jim Beam and spark a bowl. Other bright shiny things draw us there, too; make us warm for a while at least. Then when they get cold we drop them down through the hole to come bobbing up again sometime in the Spring. Spring will never come though, we tell ourselves. It still hasn’t.
Mom don’t like us hanging out there. When we come home, me and my brother come through the back door and let in a drift of snow behind us. I stamp my boots off just inside the door, a pink slush of blood and snow. Jay come in behind me, slams shut the door and wipes his nose on his sleeve.
Mom stoops over by the wood stove, shoving in birch logs. “What you boys been up to? Sandy lake still frozen over?”
She knows it would be, but asks anyway.
“Yeah. Sullen’s fish house is all lit up. Nice. Like Christmas.”
“Sullen din’t light it up like that for Christmas, be damn sure of that. I don’t want you goin’ there.”
Sullen has been a buddy of mine since the third grade. Mom don’t like him much. Much of the town don’t like him much, nor his folks neither. The nice half of the town, that is. Then there are those like Jay and I. Something about Sullen makes you want to do what he does, look like he looks, talk the same. His whole family’s kind of like that. His folks’ place was the biggest in town once, but it’s falling apart now like some ruin. Last summer we’d go there to smash stuff in, with Sullen right there beside us, breaking up his own shit.
So I got friends like Sullen, right; I can deal with people like that. Dangerous people, some of them. Funny thing is, he isn’t the one to be scared of. I’d learn over the next several weeks what brought Sullen’s family down from the top.
“You got to watch what those Sullens do.” mom said. I’d learn that the ice and darkness didn’t keep to the lake, but spread from a place closer to hearth and home. ”Got to keep them in line,” she finished, almost to herself.
We knew who to be scared of, the one that called all of the shots and decided when winter and spring would come, when it was time for the ice to thaw, when Sullen’s Fish House would finally go dark and break through the thin ice, drift down through the dark and settle in the sediment.
Mom fed the last log into fire and slammed the stove door shut. “That should be just about enough, now. Spring’s coming.”
Showing posts with label symbols. Show all posts
Showing posts with label symbols. Show all posts
Tuesday, July 09, 2013
Sunday, February 17, 2013
The Grand Tour: Conclusion
The Aunt is a sister of The Uncle, not a wife. She was an amateur artist whose life and art was augmented by schizophrenia. Her art consisted entirely of crayon stylings on mail envelopes and postcards. She was middle-aged and…I can’t remember her face. Odd. Can’t remember her body or her eyes, though I held both that night. When tea was served she gracefully slipped under the table, where we joined her for a cup and a biscuit under the table cloth, while she told us about her date with a clown earlier in the day. I gathered that the clown was not metaphorical but quite real, having just returned from a child’s birthday party and still in costume. They had a picnic in a park. She spoke English as best she could, for my benefit; “There we were, laying on our plates…”
“You were lying on your plates,” asked The Uncle, “and what fine gentleman was eating you?”
She either did not catch his meaning ignored him, “…and then he asked me if I wanted to taste his Bobo? What’s his Bobo?” she asked, turning to me.
I looked to Odlef for rescue, but he only shrugged and drained his cup of tea. We crawled out from the table and moved on to wine, something from Hungary called Bulls Blood. Before opening the next bottle, The Uncle took the empty bottle by the stem and tossed it through an open window, where it cartwheeled twenty feet down and kerplunked into the mote. “Back in the day of our forebears, they always threw their empties into the mote. As a preservationist, it is my duty to uphold their customs in the highest regard. Do as they did, I say.” He laugh was more of a giggle, a bead of wine clinging to his curled mustache.
The Aunt brought our dinner, a half dozen smoked eel in butcher wrap. The Uncle smoked at the table. Odlef was a blond blur at the edge of my vision, laughing and alternating from Dutch to English, though it didn’t matter because I could understand neither. Talk led to my writing aspirations, the state of literature today, the need for a new commune of writers like the Lost Generation. Who would be our Gertrude? Was Odlef our Fitz drinking away his talent? I was none of the above, but they saw in me what they wished. When I talked about Morrison and wanting to be a visionary, and about Artaud and Rimbaud and how writing could be inspired by the unsettled mind, I forgot to whom I was talking. The Aunt cautioned me about romanticizing mental disorder. Was it worth the price, in the end? As if in explanation, she escorted me from the dinner table to the makeshift studio The Uncle had set aside for her in one of his many rooms. She opened the door to a simple room; four walls, a table, a chair, but plastered across the walls and ceiling were hundreds of envelopes, each consumed by brightly colored flames, curling at the edges, wrinkled, pressed flat again. On the floor they gathered like so many fallen leaves. Each burned and yet did not expire; they were only crayon flames, I realized, and the crayons that ignited them were scattered across the table, some snapped in half like broken fingers or rubbed down to the nubs. I looked more closely at the envelopes and found that not all were only made of colors following the folds of the envelope, but some also held stick-drawings of bicycles and trains and boats and planes, suns and flowers and sons and daughters.
It wasn’t good. I didn’t get it. I felt deflated. I wanted her to be brilliant, but she didn’t care to be, knew she was not, aspired to be nothing but who she was. At twenty I didn’t appreciate that. At forty I wonder if you grow up or grow in. At sixty I hope to understand if the evidence of that growth, the product of all my exploration, like her colored envelopes, is meant more for myself or others. Shit, who cares.
We went back upstairs and drank and smoked, stacked dishes and tried to fish empty bottles from the mote. I fell asleep on the sofa with the aunt. Awoke in a tangle of limbs and clothes in ray of blinding sun.
It was a morning of hangovers and shame, putrid cigarettes and cotton mouth, bad smells lingering in the rooms from the night before. While The Uncle brewed a pot of strong black coffee, I drew away from the group and slipped out the door to the castle grounds still wet with dew. I walked down winding cobbled paths, through a maze of wood neatly stacked in cords, through the shade of the trees spared from emperor’s ax, and by the time I made it through the maze to the mausoleum, I had in my mind the beginnings of what would be my first novel.
Odlef and I stuffed our backpacks to catch the last train home. The Aunt presented me with her latest envelope creation, which she must have colored over her morning coffee. Was it something in the image she drew in childlike crayon, or was it in the recognition of her chosen medium — an envelope? Whichever caused these chemicals to collide, I had received her message carried over a great distance, not only the very real ocean that would soon divide me from my grand tour of Europe, but also a message that bridged the space between her art and the irrational world in which she had learned to live, and with which I was only now coming to terms.
“You were lying on your plates,” asked The Uncle, “and what fine gentleman was eating you?”
She either did not catch his meaning ignored him, “…and then he asked me if I wanted to taste his Bobo? What’s his Bobo?” she asked, turning to me.
I looked to Odlef for rescue, but he only shrugged and drained his cup of tea. We crawled out from the table and moved on to wine, something from Hungary called Bulls Blood. Before opening the next bottle, The Uncle took the empty bottle by the stem and tossed it through an open window, where it cartwheeled twenty feet down and kerplunked into the mote. “Back in the day of our forebears, they always threw their empties into the mote. As a preservationist, it is my duty to uphold their customs in the highest regard. Do as they did, I say.” He laugh was more of a giggle, a bead of wine clinging to his curled mustache.
The Aunt brought our dinner, a half dozen smoked eel in butcher wrap. The Uncle smoked at the table. Odlef was a blond blur at the edge of my vision, laughing and alternating from Dutch to English, though it didn’t matter because I could understand neither. Talk led to my writing aspirations, the state of literature today, the need for a new commune of writers like the Lost Generation. Who would be our Gertrude? Was Odlef our Fitz drinking away his talent? I was none of the above, but they saw in me what they wished. When I talked about Morrison and wanting to be a visionary, and about Artaud and Rimbaud and how writing could be inspired by the unsettled mind, I forgot to whom I was talking. The Aunt cautioned me about romanticizing mental disorder. Was it worth the price, in the end? As if in explanation, she escorted me from the dinner table to the makeshift studio The Uncle had set aside for her in one of his many rooms. She opened the door to a simple room; four walls, a table, a chair, but plastered across the walls and ceiling were hundreds of envelopes, each consumed by brightly colored flames, curling at the edges, wrinkled, pressed flat again. On the floor they gathered like so many fallen leaves. Each burned and yet did not expire; they were only crayon flames, I realized, and the crayons that ignited them were scattered across the table, some snapped in half like broken fingers or rubbed down to the nubs. I looked more closely at the envelopes and found that not all were only made of colors following the folds of the envelope, but some also held stick-drawings of bicycles and trains and boats and planes, suns and flowers and sons and daughters.
It wasn’t good. I didn’t get it. I felt deflated. I wanted her to be brilliant, but she didn’t care to be, knew she was not, aspired to be nothing but who she was. At twenty I didn’t appreciate that. At forty I wonder if you grow up or grow in. At sixty I hope to understand if the evidence of that growth, the product of all my exploration, like her colored envelopes, is meant more for myself or others. Shit, who cares.
We went back upstairs and drank and smoked, stacked dishes and tried to fish empty bottles from the mote. I fell asleep on the sofa with the aunt. Awoke in a tangle of limbs and clothes in ray of blinding sun.
It was a morning of hangovers and shame, putrid cigarettes and cotton mouth, bad smells lingering in the rooms from the night before. While The Uncle brewed a pot of strong black coffee, I drew away from the group and slipped out the door to the castle grounds still wet with dew. I walked down winding cobbled paths, through a maze of wood neatly stacked in cords, through the shade of the trees spared from emperor’s ax, and by the time I made it through the maze to the mausoleum, I had in my mind the beginnings of what would be my first novel.
Odlef and I stuffed our backpacks to catch the last train home. The Aunt presented me with her latest envelope creation, which she must have colored over her morning coffee. Was it something in the image she drew in childlike crayon, or was it in the recognition of her chosen medium — an envelope? Whichever caused these chemicals to collide, I had received her message carried over a great distance, not only the very real ocean that would soon divide me from my grand tour of Europe, but also a message that bridged the space between her art and the irrational world in which she had learned to live, and with which I was only now coming to terms.
Saturday, January 24, 2009
Little Bird
Sunday morning in the family room. I love my wife and kids dearly, but all I can think to myself right now is “Leave me alone.” I announce that I am going to my den now to write, and I slip away to that corner of the house where the windows are small, where potted palms sit on the floor in what little pools of light gather in this corner of the house. At first, I avoid the typewriter perched on the desk. I still use a typewriter. I am a walking cliché. I smoke a pipe, leaf through nineteenth century novels, scratch notes on scraps of paper, and eventually sneak up on my type writer and settle slowly into the wooden desk chair, careful not to spook it. I stare at the keys for a moment, afraid it is going to burst into a flapping of wings and escape out a window. That’s it. My typewriter on the desk is like a bird trapped in a room, panicked, breast thumping, trying to find a way out. My fingers must be gentle with it. Once it least expects it, I clamp my hands around it so that it can’t get away. I stop typing to scribble this metaphor on another piece of scratch paper for later.
There’s a quiet knock at the door. Must be my son. “Come in.”
“Dad, will you play Chutes and Ladders with me?”
“Not now, Sam. Your Dad’s working. Didn’t Mommy tell you not to bother me when I’m up here?”
“Yes,” he says in that little mouse voice that usually allows him to get his way.
“Why don’t you go play with Elizabeth?”
“She’s over at Jacqueline’s house jumping on the trampoline.”
I pull him up into my lap. He’s still in his pajamas. What time is it, I wonder? Why hasn’t Susan gotten him dressed yet? She’s probably down at the computer, chatting with her sister or with her friends from work. Jesus, she sees them all day during the week; why can’t she give it a break on the weekends to get her children dressed? “Why don’t you go get your big boy clothes on and we’ll play in a little bit. I’ve got to do some stuff yet, and then I’ll come out. Don’t knock though. I’ll come out when I’m ready.”
“Okay,” and he slides off my knee, leaves the room and gently closes the door behind him. I smile at this gesture of his, so careful around me, but then I see how like an invalid I have become, tucked away in a closed room, not to be disturbed. How long have they been tiptoeing around me?
I try to get back to my story, but the characters have wandered off, the backdrops faded, and in the world of my imagination I am losing the light. Damn it. But if it hadn’t been Sam, it would have been something else. A loud truck out in the street. A blue jay flashing by the window. I was able to finish three sentences, though, before the little bird died in my hands. I guess I clutched I clutched it too tightly.
There’s a quiet knock at the door. Must be my son. “Come in.”
“Dad, will you play Chutes and Ladders with me?”
“Not now, Sam. Your Dad’s working. Didn’t Mommy tell you not to bother me when I’m up here?”
“Yes,” he says in that little mouse voice that usually allows him to get his way.
“Why don’t you go play with Elizabeth?”
“She’s over at Jacqueline’s house jumping on the trampoline.”
I pull him up into my lap. He’s still in his pajamas. What time is it, I wonder? Why hasn’t Susan gotten him dressed yet? She’s probably down at the computer, chatting with her sister or with her friends from work. Jesus, she sees them all day during the week; why can’t she give it a break on the weekends to get her children dressed? “Why don’t you go get your big boy clothes on and we’ll play in a little bit. I’ve got to do some stuff yet, and then I’ll come out. Don’t knock though. I’ll come out when I’m ready.”
“Okay,” and he slides off my knee, leaves the room and gently closes the door behind him. I smile at this gesture of his, so careful around me, but then I see how like an invalid I have become, tucked away in a closed room, not to be disturbed. How long have they been tiptoeing around me?
I try to get back to my story, but the characters have wandered off, the backdrops faded, and in the world of my imagination I am losing the light. Damn it. But if it hadn’t been Sam, it would have been something else. A loud truck out in the street. A blue jay flashing by the window. I was able to finish three sentences, though, before the little bird died in my hands. I guess I clutched I clutched it too tightly.
It began with a letter. Ever since I received the envelope addressed to me in a hand faintly familiar, I could never return to the old life I knew. I have since burned that first letter, but it went something like this…
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